Most of my artwork is produced within the safety of four walls, although that also adds complications in itself. Light is the main problem. Then space. Details can be lost in dim light, and furniture ends up in splattered paint, but I don't let it put me off.
Undoubtedly its easier to work inside, you can quickly reach for a tap for fresh water, or have to hand any tool that is required there and then. But are the results the same?
Working outdoors is certainly refreshing. My biggest fear of having interruptions whilst working didn't cause much issue in the end. I quite like a chat here and there. When you turn around and find yourself as one artist puts it a "tourist attraction" it can be a little unexpected.
Comfort is important. I decided at first to not bother with an easel. That was my first trip back to the car. I managed without a seat, but if I had a long time to paint, I would maybe consider taking one.
Composition. I had no real plan, and just wanted a scene to grab me. I had limited time, so I needed to decide quick.
Materials. I was so excited to use all my birthday acrylics, and instantly horrified how quick they were drying.
Clean up. Oh why hadn't I taken a roll of kitchen roll? What would people say if I cleaned my brushes in the sea? Why didn't I bring a bin bag? Doh.
In hindsight, experience offers most answers on how to work outdoors. I am fairly apt at taking a small sketch book, pencil, rubber and sharpener, but when it comes to big paintings, preparation is key. Limiting materials is handy too, as you can soon become overloaded.
Weather. I wasn't expecting thick fog for six out of seven days holiday. I was very lucky to have brilliant sunshine on my birthday. You have to take the rough with the smooth. Large umbrellas are okay if its not windy. I had to accept my watercolours getting splashed with big droplets of rain as natures addition.
Children. If you're lucky enough to have a team out painting, then I wouldn't expect to have ownership over any materials. What you have is exactly what they want, so either take double or just enjoy the moment.
Inside versus outside?. Painting outside has the obvious benefit of you actually painting what you see, rather that what you remember seeing. You can really feel the atmosphere and it shows. You have to be prepared, and that takes time and can only get better with experience. You can choose a secluded spot. Standing next to an open cafe is asking for interruption. Any painting is good, whether you have time to do it inside or out. Its all personal, and its all good.
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